On Writing Well After studying this chapter, you will understand how to: Use the basic rules of good writing Determine the intended audience and write specifically for that audience Apply the fundamentals of grammar, style, and usage correctly Avoid common writing problems Whether a person is writing a news story, novel, letter-to-the-editor or advertising copy, the principles of good writing are the same. Different media place different burdens and responsibilities on writers, but the reason behind writing is always to communicate ideas in your head to an audience through words.
Acknowledgments [Page xi] Dwight Conquergood, my precious friend and teacher, for exemplifying an ethics of ethnography, championing social justice, and inspiring generations of dedicated scholars, teachers, and activists. Wood, Della Pollock, and Beverly W.
Long for your brilliance and your extraordinary support over many years. Your integrity and wisdom never cease to amaze me. Wahneema Lubiano, Kara Keeling, Sue Estroff, and Genna Rae McNeil, for your friendship, intellectual generosity, and for your eloquence in naming the most pressing matters that beset the world.
Jones, Elyse Lamm Pineau, and Lisa Merrill, for consistently deepening my understanding of the politics and alchemy of performance. Michael Eric Dyson and Marcia L. Dyson, for your compassion and genuine commitment to public knowledge. A special group of graduate students, scholars, and rising ethnographers who have taught me in more profound ways than I have taught them: Calvente, who has been my rock and my light.
Arlene Jackson, Akua McDaniel, Treva Cunningham, and Walter Cunningham, for your enduring encouragement, friendship, and support long before I knew the power of ethnography. Kingsley Kweku Acquah for helping me better understand the importance of world traveling and loving perception.
Abena Joan Brown, Val Gray Ward, and Useni Eugene Perkins, for over three decades of mentoring and enriching the lives of so many through committed leadership and community performance. Staceyann Chin, for your excitement about this project, your respect for language, and your courage.
Tracy Alpern and Stacey Shimizu, for your pleasant rapport despite cyberspace and for being so good at what you do. Adwoa Sarkoa Ulzen and Amber D. Turner, for your excellent research assistance and careful attention to detail under pressure. Warren, Bowling Green State University, for reviewing the manuscript.
Reighne Madison Dyson, born July 19,for motivating me to care more and more each day about the future of this planet. Mejai Kai Dyson, for your precise mind, your belief in the significance of fairness, and for demonstrating that good character is a precious thing. Torkwase Madison Dyson, for your extraordinary artistic talent and for exemplifying what it means to teach and to live graciously from the heart and soul.
Yosiah Daniel Israel, for reminding me that love is the greatest possibility. Sociological practices, selves, and theories. The problem of speaking for others. Cultural Critique, 20, 5— Code of ethics of the American Anthropological Association. Retrieved October 15,from http: Commission to review the AAA statement on ethics final report.
Retrieved October 16,from http: Documentation of informed consent. Statement of the American Folklore Society on research with human subjects. Human subjects and ethnographic research. Universal declaration of human rights. The case for tough international arms control.
Retrieved October 14,from http:Sep 22, · Read "Ethics, Politics, and Difference in Julia Kristeva's Writing" by with Rakuten Kobo. First published in Routledge is an imprint of Taylor & Francis, an informa company.
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