Thursday, 2 August Theatre Review: However, the results, in Claire van Kampen's erratic production, don't prove ideal.
Roderigo, in love with the noble lady Desdemona, has paid large sums of money to Iago, on the understanding that Iago would give her gifts from him and praise him to her.
However, they now have news that Desdemona has left the house of her father, Brabantio, a Senator, and eloped with Othello, a Moor an African who is a General in the defense forces. Roderigo fears he has lost both his lady and his money.
He hates Othello for promoting Cassio to the position of lieutenant, a position that Iago wanted for himself. First, they must wake Brabantio and cause an outcry. They bang and shout until Brabantio comes out onto the balcony. Iago tells him in inflammatory words that Desdemona has run away with Othello, and Brabantio, enraged, joins Roderigo to wake the neighbors and organize a search party.
Commentary The play begins with a quarrel of sorts between Iago and Roderigo, and, as such, it serves several functions. Iago apologizes profusely for failing Roderigo and claims that he never dreamed that such an elopement might occur: Besides this statement being a capsule condemnation of Iago, it serves to point out that Roderigo trusts this man.
Thus Roderigo gains a measure of our pity; he is a weak figure, probably victimized by everybody, not only in this matter of deceit. Iago further points out to Roderigo that Cassio, the newly appointed lieutenant, is not a true soldier. He is not even a Venetian, Iago says, but, of course, neither is Othello.
What knowledge Cassio has of the battlefield, according to Iago, he gained from textbooks; in other words, he is a student, not a practitioner of battle.
Furthermore, there is nothing Iago can do about the situation: Iago, however, is not bent on mere revenge. The extent and depth of his hate for Othello and his desire and willingness to totally destroy him require a motivation more compelling than having been passed over for this promotion.
That motivation lies in the racial attitudes identified in the conversations, references, and defamatory images of the characters in this scene.
This hatred for Othello consumes Iago, yet his motivations are less important to the plot and themes of the plan than the outcomes of his evil manipulations.
Thus another dimension of this situation presents itself. Rejection and revenge, then, are doubly potent ingredients in this tragedy.
Yet—and this fact is important—Iago has still not named Othello as being the culprit, as being the man who kidnapped Desdemona and eloped with her. Brabantio comprehends what Iago and Roderigo are saying and, in fact, recalls a dream that foretold of just such a calamity.
Dreams and omens of this sort are common in literature of this time and create the sense that fate somehow has a hand in the tragic events about to follow.
As Brabantio moves into action, calling for more lights and arousing members of his household, Iago steals away, but not before explaining his reasons for doing so: For this reason, he must go and rejoin his general.
Othello is a superior public figure, one who will soon be summoned to end the Cyprian wars and a man upon whom the Venetian state depends for its safety.
Othello is a man of high position, as well as one of high honor and one who is, therefore, worthy of being considered a tragic hero. Glossary Here and in the following glossary sections, difficult words and phrases, as well as allusions and historical references, are explained.
Sagittary the name of an inn. Cassio has been sent to fetch him to an urgent meeting about the situation in Cyprus.Eventually, after Iago has cast doubt on Cassio's honesty, suggested he is disloyal, and hinted that Desdemona is unfaithful, Iago tells Othello, "O beware, my lord, of jealousy; It is the green-eyed monster which doth mock / the meat it feeds on" ().
Othello Character Introduction: Some may argue that the sin of Iago to plot the downfall of the Moor is Iago cleverly argues that Desdemona is quite capable of betrayal Shakespeares Othello: An examination of Othello by Shakespearean scholar A.C.
Bradley, from But if we glance at some of its other sources, we shall find at the same. of view. Iago from Othello is a central character and understanding him is key to understanding Shakespeare's entire play, Othello - not least because he holds the longest part in the play: 1, lines.
9) Iago's Trap (A.C. Bradley, Shakespearean Tragedy) 10) The Character of Iago (A.C. Bradley, Shakespearean Tragedy) 11) Nothing in Othello (Terry Eagleton, William Shakespeare, IV) 12) Sex, Lies and Murder in Othello (Terry Eagleton, William Shakespeare, IV) 13) The Duration of the Action in Othello (A.C.
Bradley, Shakespearean Tragedy).
Essays and criticism on William Shakespeares Othello - Suggested Essay Topics. and Othello is no exception.
othello essay topics pdf Some have othello essay topics pdf that the focus of Othello is not the title character, as research paper topics computer science pdf the case with Shakespeares johari window research paper great tragedies.
Troilus and Cressida continues with a detailed examination of Cressida and Hector. Cressida loves Troilus and wishes to be faithful to him; circumstances also make her reliant upon men and the power of men for her value. not least in its lead character.
Comparing Othello with Hamlet is highly revealing, as is asking why Othello deserves his.